Braden Storytelling Grant

A Neglected Story: Hatred in Yemen by Ariela Safira

A Neglected Story - Hatred in Yemen highlights the story of Shoshanna Shechter, a 30-year-old Jewish woman who escaped Yemen at age 14. She speaks of physical abuse, verbal abuse, rape, murder, and kidnapping against herself and all Jews in Yemen. More symbolically, she brings to light the reasoning as to why we never hear about this silent war against Jews occurring in Yemen – escapees fear that if they share their story, the Yemeni government will kill them. As a result, they flee the country, and never look back at their past again. This podcast aims to share this silent story, and to teach us that the anti-semitic war still exists today.
Narrated by Ariela SafiraProducer(s): Ariela Safira and the Braden Storytelling Department (storytelling.stanford.edu)

Promised Lands And The AfroFuture by Natasha Mmonatau

“For women, then, poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.”- Audre Lorde
Featuring: Alfalfa Brown, Queens D. Light, Ericka Huggins, narrated by Natasha Mmonatau
Producer(s): Natasha Mmonatau and the Braden Storytelling Department (storytelling.stanford.edu)

Do Good With It by Dustin Dienhart

Mr. Sayes was embedded with the South Vietnamese Rangers during the Vietnam War. He rarely saw another American, and survived some of the most harrowing combat in history. Today, he teaches high school mathematics. This is his story, told to one of his former students.Featuring: Trey SayesProducer: Dustin DienhartSpecial thanks to The Stanford Storytelling ProjectPhoto: Dang Van Hoanh, Tiger Scout. 3rd Battalion, 39th Infantry Regiment, 9th Infantry Division, May 1969. Image courtesy of Trey Sayes

Retaining Rondon: Creole Food in a Changing World by Maria Doerr

What is Rondon? What does it mean to be Creole in Nicaragua? In a world that increasingly seems to strive for uniformity, afro-descendant Creole people on the eastern coast of Nicaragua seek to hold on to their unique culture through their food. Join us as we travel between the farm, the lagoon and the city to explore how Creole food is changing due to outside pressures.
"Why we appreciate Rondon, it is the strongest food in our gastronomy. And it comes from Africa. I have met many Africans and they cook rondon just like us. It’s a cultural thing. That makes me proud to be black. I'm proud of my Rondon." - Ms. Gay Sterling
Featuring: Connie Tinoko, Kenneth Fox, Edward (Daha) Fox, Gay SterlingProducer: Maria DoerrMusic: Take Dis Five, Run-Down Orchestra Bluefield Sound System 2009Zion-O, Run-Down Orchestra, Bluefield Sound System 2009

Vanishing Remains by Reade Levinson

Braden Grant Recipient Reade Levinson travels to Mongolia in hopes of witnessing a practice known as sky burial, in which the bodies of the dead are prepared for the afterlife. But as Reade learns on her journey, in Mongolia the forces of urbanization, modernization and environmental change may be threatening this sacred ritual. “The scene would be not very nice, when you look at a dog running around with someone’s hand in his mouth.”
Featuring: Ganbat Namjilsangarav, Christine Murphy, Tsogbadrakh and Tuya Banzragch, and Dr. Keith Bildstein.Producer: Reade LevinsonSpecial Thanks: Christy Hartman, Jake Warga, and Generation AnthropoceneMusic: All ambient recorded by Reade Levinson, sound effects downloaded from FreeSound.Image via thinkstockphotos: www.thinkstockphotos.com/image/stock-…ld/469839700

Of Madness and Magic by Mischa Shoni

What differentiates what is labeled as mental dysfunction—mania, psychosis, seizures—from what is magic, spirit, or simply … beyond the scientific method? Mischa Shoni embarks on a journey to understand her own brain. On the path, she meets dragons, gryphons, crystal-eyed snakes … and some extraordinary people who see the mind beyond the limited lens of psychiatry.
This project was supported by a Braden Grant from Stanford Storytelling Project. For more information about the Braden Grant for the Study of Oral Narrative, go here:web.stanford.edu/group/storytelli….php/grants.html
Producer: Mischa ShoniFeaturing: Anusuya Starbear, Michelle BoyleSpecial thanks: Will RogersMusic: Man of Suit (Echos of Space, Fog Divided by 2, Quiet Mountaintop, Lost in the Forest, Trees of Mystery, Howling Wind, The Dancing Chairs, Wind Chimera, Redwoods & Skyscrapers)Image via Wikimedia

Seen and Heard: Voices from Ghana's Orphanages by Christine Chen

In the past few decades, orphans in Africa have become defined by snapshots: snapshots of jutting ribs, ragged clothes, hopeless eyes. Those images have become the face of international charity work and have helped drive the idea that we should send resources to help. But there are things that can’t be captured in snapshots. In this story, Christine Chen travels to the West African country of Ghana, to talk with the people directly involved with orphan care there—the social workers, orphanage directors, families, and kids. There, she encounters narratives that put an unexpected twist on our understanding of orphanages—and push us to reconsider our assumptions about the children living inside them.
This project was supported by a Braden Grant from Stanford Storytelling Project. For more information about the Braden Grant for the Study of Oral Narrative, go here: web.stanford.edu/group/storytelli….php/grants.html
Producer: Christine ChenFeaturing: Samuel Anaglate, Helena Obeng-Asamoah, Akosua Marfo, Emmanuel, Richmond, HannahSpecial thanks to: Christy HartmanSounds:Music: A Smile for Timbuctu, Chris Zabriskie, Lee RosevereImage courtesy of Brandee Cooklin

The Story of We Shall Overcome by Beatrix Lockwood

This story traces the origins of “We Shall Overcome” from the eighteenth century to the March on Washington, and to today. It focuses on the development of the song at the Highlander Folk School, a social justice center in Tennessee.
This project was supported by a Braden Grant from Stanford Storytelling Project. For more information about the Braden Grant for the Study of Oral Narrative, go here: web.stanford.edu/group/storytelli….php/grants.html
Producer: Beatrix LockwoodFeaturing: Candie Carawan, Clayborne Carson, Pam McMichaelSounds: Martin Luther King, Workers in Selma, AL, March on WashingtonMusic: Pete Seeger, Guy Carawan, Charlie Haden & Hank Jones, The Philadelphia Brass Ensemble, Paul Robeson, Rev. Gary Davis, Azuza Oacific Gospel Choir, Zilphia Horton, Dave Van Ronk, Fats Waller, Elizabeth CottenImage via Wikimedia

A Peripheral Vision by Atheel Elmalik

Young Sudanese in the Diaspora often experience a sense of estrangement. They feel caught between the cultures of the countries they live in and Sudan. This story investigates how some of these people have used art to explore the tensions and possibilities within their fraught relationship to the place their parents call home.
Producer: Atheel ElmalikFeaturing: Safia Elhillo, Mo, Alsarah, Dar Al NaimMusic: Alsarah and The Nubatones - نوبة نوتوAlsarah and The Nubatones - Oud SoloAlsarah and The Nubatones - Its Late (Soukara)Alsarah 5000 - Christina- Jodahwww.alsarah.comBlood Orange - It is what it isThe Wyld - OdysseyImage courtesy of Amir Mohamed